
Since the dawn of cinema, the challenge with violent action movies has often been the overwhelming presence of non-stop, unbearable violence. Typically, these films offer a flimsy plot, serving only as a backdrop for the relentless chaos that unfolds. However, Kill, a film born from the collaboration between Karan Johar’s Dharma Productions and Oscar-winning Guneet Monga’s Sikhya Entertainment, breaks this mold. This movie is not just another action flick; it meticulously builds its narrative, making every punch, kick, and stab deeply personal. In Kill, no death is insignificant, and every act of violence is unique. This is a film that redefines the action genre, making it a must-watch for thrill-seekers.
Plot Overview
The movie revolves around Amrit Rathod, portrayed by Lakshya, a stoic commando who returns to base after a mission only to find himself bombarded with text messages. His girlfriend, Tullika Singh Thakur, played by Tanya Maniktala, is being forced into an engagement by her father. The Thakur family is on a train journey from Ranchi to New Delhi, and Amrit, along with his fellow commando Viresh (Abhishek Chauhan), boards the train in an attempt to steal some moments with Tullika and convince her family to call off the wedding.
However, their plans are soon derailed when a group of modern-day bandits, led by the theatrical Fani (Raghav Juyal), infiltrates the train. These bandits, equipped with mobile jammers, present a new kind of threat. The commandos must now put their training to the test to protect everyone on board.
Unique Action Sequences
One of the standout features of Kill is the way it handles action. The violence is not mindless; it is carefully spaced out and woven into the narrative. The film begins with strategic, tactical fights, with Amrit and Viresh showcasing their skills as they take on the bandits. Lakshya’s character, Amrit, starts off like a military strategist, warning Viresh that they are outnumbered and advising him to stay cautious.
However, as the film progresses, the action becomes more intense, leading to one of the most memorable title reveals in Indian cinema. The mission to save the passengers soon turns into a quest for vengeance, with Amrit bringing forth a day of reckoning for the bandits. The action sequences are not just about the gore; they are about the personal stakes involved, making each kill more impactful.
Villains with Depth
Kill does not reduce its villains to mere caricatures. The bandits are portrayed as a large family of outlaws, headed by Fani’s father, Beni, played by Ashish Vidyarthi. Each henchman has a story, a connection to the others, making their deaths more significant. When Amrit uses a fire extinguisher to bash someone’s head in, it’s not just for shock value; it adds depth to the narrative, showing the consequences of violence.
Raghav Juyal, known for his dance moves, surprises the audience with his portrayal of Fani. He is both charming and menacing, switching from delivering cricket analogies to slicing a head in half with a machete. His unpredictability adds a layer of tension to the film, making him a memorable antagonist.
Ashish Vidyarthi, as the old-school outlaw whose time has passed, delivers a solid performance. His character is complemented by the film’s soundtrack, with acoustic guitar riffs reminiscent of classic Westerns playing whenever he is on screen.
A Unique Blend of Genres
Director Nikhil Nagesh Bhat has created a film that blends the elements of a Western with those of a modern action thriller. The confined space of the train is used to maximum effect, creating a sense of claustrophobia and tension. The best action scenes are those that feel like a release, and Kill delivers on this front.
The camera work in Kill does not shy away from the brutality. The close-ups are intense, showing every gory detail as men are stabbed in the neck, eyes, and mouths. Heads are split open on toilet seats and wash basins, and in one particularly memorable scene, a goon runs between train berths with his head on fire. The film does not hold back, making it a thrilling ride from start to finish.
Where the Film Falls Short
If there is one area where Kill falters, it is in the romantic subplot between Lakshya and Tanya. Lakshya’s stoic performance works well in the action sequences, but he struggles to convey the softer emotions required for the romantic scenes. Tanya Maniktala, on the other hand, does a commendable job with the limited screen time she gets, making the audience yearn for more of her character.
However, these shortcomings are minor in comparison to the film’s overall impact. The romance, while not the film’s strongest point, does not detract from the intense action and thrilling narrative.
Conclusion
Kill is a film that delivers on its promise of action and carnage. It is a movie that takes the action genre to new heights, offering a unique blend of Bollywood sensibilities and indie energy. With its memorable characters, intense action sequences, and a narrative that keeps you on the edge of your seat, Kill is a must-watch for fans of the genre.
Film Details
- Title: Kill
- Director: Nikhil Nagesh Bhat
- Cast: Lakshya, Raghav Juyal, Tanya Maniktala, Ashish Vidyarthi
- Rating: 4/5 Stars